Today on the podcast, I return for an annual look at making satirical contributions to This Is The Week That Is. We look back on favorites moments, some that didn’t make the cut and, what to look forward to in the 14th installment. Stay Tuned!

On today’s podcast, Director Matt Pfeiffer talks about “On The Exhale”, the solo piece by Martin Zimmerman featuring Suli Holum. Here is my interview with Director Matt Pfeiffer. 

ABOUT ON THE EXHALE

A liberal college professor searches for meaning after a terrible act of violence. She finds herself drawn to the power and control of the weapon that forever changed her life.  Challenged by the inaction and corruption of the legislature she is faced with the opportunity to teach a lesson but she may have to learn one first.

#SuiteReality, by TS Hawkins, is a choreopoem experience that touches upon Women's Rights, Black Lives Matter, and #SayHerName; a campaign that highlights womyn who have been killed by the fragility of masculinity and police brutality.

Cast: Betsy Vivar, Katrina Hall, Maria Genao Beltre, Cynda Purnell

FOR TICKETS AND INFORMATION:

www.tspoetics.com

www.thebridgephl.org

Today on the podcast, 1812 Productions presents, The Roommate by Jen Silverman. On the first day of tech, I sit down with Director Harriet Power and actors Artistic Director, Jenn Childs and Grace Gonglewski. Here’s my interview with 1812 Productions, The Roommate. 

On today’s podcast, our 2019 FringeArts coverage continues with Director Joseph Ahmed. Tribe of Fools annual fringe offering Operation: Wawa Road Trip, takes a brother and sister on a trip to pay tribute, deal with loss and a battle between two Pennsylvania convenient stores. Here’s my interview with Joseph Ahmed.

On today’s podcast, Nick Jonczak talks about the 2019 FringeArts offering, “CHURN”, a queer historical sci-fi epic. Here’s my interview with Nick Jonczak. 

On today’s podcast, Samuel Morrison talks about the Edinburgh Festival Fringe debut of Hello Daddy, as part of the Just The Tonic offerings here at the festival. Here is my interview with Samuel Morrison.

On today’s podcast, here at Edinburgh Festival Fringe, we meet the creative team of Hitler’s Tasters. This ticket is highly shut after and I managed to get them along with the opportunity to chat. Here’s my interview for Hitler’s Tasters. 

On today’s podcast, Amanda Nicastro talks about “I’m Just Kidneying”, making its Edinburgh Festival Fringe debut by way of NYC. Focusing on the process of donating a kidney to her sister. Here is my interview with Amanda Nicastro.

On today’s podcast, Kat Brünner (Elle Woods) and Jenna Pinchback (Enid Hoops) talk about Walnut’s production of “Legally Blonde: The Musical”, a campy look at a women with a completely brilliant plan to win the man she loves by getting into Harvard Law School only to reveal a path of purpose, strength and support with help from her sorority sisters. Here’s my interview with Kat Brünner and Jenna Pinchback. Stay Tuned. 

On today’s podcast, Deborah Block talks about the Philadelphia Premiere “Among The Dead” by Hansol Jung. The piece uses a bit of theatre magic to craft the story’s past, calling on a higher power to show the way. Stay Tuned for my interview with Deborah Block.

FOR TICKETS AND INFORMATION: http://theatreexile.org

On today’s podcast, I head over to 1812 Productions to talk about the new play, “The God Project” where two pastor’s kids find unexpected common ground at a Swedish furniture store. Writers and Performers Sean Close and Jenn Childs talk about similarities growing up in this “God Couple” of  a play featuring Joilet Harris. Here’s my conversation with Sean Close and Jenn Childs.

On today’s podcast, we return with part 2 of my chat with James IJames, director of August Wilson’s “Gem of the Ocean” at Arden Theatre Company. 

If you haven’t listened to Part one, head on over to Broad Street Review Podcast and subscribe.

James makes everyone think a little bit deeper about the intentions of characters and the worlds they inhabit. We talk about crafting a vision on an already layered piece, sharing that vision with an amazing design team, audience responses and the through-lines of Wilson’s work.

So, here is part two of my interview with James Ijames. 

On today’s podcast, I touch base with Robin Rodriguez, local playwright who has decided to to go beyond the traditional staged reading in order to visualize a new play in progress titled “A Good Place Not To Be”. An earlier piece presented in the 2009 SPARK Showcase brought to life the work that after life happened, began to show signs of a through line in totalitarianism and reflection of power dynamic, miss-information and relationships. Stay Tuned!

On today’s podcast, Deb Block met me outside the new “Exile Building” for an audible tour as Theatre Exile prepares to open “An Oak Tree” by Tim Crouch featuring Pearce Bunting and a slew of notable Phialdelphia Artists and special guests like Evan Jonigkeit, Zosia Mamet and Paul Giamatti. Stay Tuned!

On today’s podcast, I spoke with Tom Reing about the Inis Nua American Premiere of “Box Clever” by Monsay Whitney. We explore first impressions, how this piece resonates with past roles, current situations in the U.K. and the U.S. and how Philly Theatre Week presents opportunities for new audiences to engage in the conversation. Stay Tuned!

On today’s podcast, we explore “My Gay Agenda”, a podcast features members of the creative LGBTQIA community. CJ Higgins and Jenn Adams talk about the origins of this podcast and where their other creative pursuits lie, including “The Hum”N”Bards Theatre Troupe’s production of “We’ll Sleep When We’re Dead”. Stay Tuned!

On today’s podcast, Tara Demmy and Zachary Chiero stop by to fill in the gaps on some terrible sex education received growing up. Using clowning as the vehicle, Tribe of Fools aims to educate, entertain and have a little fun at the expense of everyone’s favorite topic in Health class. Stay Tuned!

On today’s podcast, we return to Idiopathic Ridiculopathy Consortium to talk with Tina Brock and Brittany Holdahl about Elmer Rice’s “DreamGirl”, set in one of the chapels of St. Mary’s Church at Hamilton Village on the campus of the University of Pennsylvania. We discuss the production itself and dive into the church and its history. Stay Tuned!